Consequently adoption of national anthems prior to the 1930s was mostly by newly formed or newly independent states, such as the First Portuguese Republic ( A Portuguesa, 1911), the Kingdom of Greece (" Hymn to Liberty", 1865), the First Philippine Republic ( Marcha Nacional Filipina, 1898), Lithuania ( Tautiška giesmė, 1919), Weimar Germany ( Deutschlandlied, 1922), Republic of Ireland ( Amhrán na bhFiann, 1926) and Greater Lebanon (" Lebanese National Anthem", 1927). In 1802, Gia Long commissioned a royal anthem in the European fashion for the Kingdom of Vietnam.įollowing the reinstating of La Marseillaise in 1830, in the wake of the July Revolution, as the national anthem of France, it became common for newly formed nations to define national anthems, notably as a result of the Latin American wars of independence, for Argentina (1813), Peru (1821), Brazil (1831) but also Belgium (1830). Denmark retains its royal anthem, Kong Christian stod ved højen mast (1780) alongside its national anthem ( Der er et yndigt land, adopted 1835). La Marcha Real, adopted as the royal anthem of the Spanish monarchy in 1770, was adopted as the national anthem of Spain in 1939. " God Save the King/Queen", first performed in 1619, remains the royal anthem of the United Kingdom and the Commonwealth realms. Some of these anthems have survived into current use. In the early modern period, some European monarchies adopted royal anthems. To arms, citizens! etc.) This article was most recently revised and updated by Michael Ray.Early version of the "Wilhelmus" as preserved in a manuscript of 1617 (Brussels, Royal Library, MS 15662, fol. To cut the throats of our sons, our comrades. The text of these two verses follows, along with an English translation: Only the first and sixth verses of the anthem are customarily used at public occasions. The original text of “La Marseillaise” had six verses, and a seventh and last verse (not written by Rouget de Lisle) was later added. Authorized after the July Revolution of 1830, it was again banned by Napoleon III and not reinstated until 1879. “La Marseillaise” was banned by Napoleon during the empire and by Louis XVIII on the Second Restoration (1815) because of its Revolutionary associations. The Convention accepted it as the French national anthem in a decree passed on July 14, 1795. The spirited and majestic song made an intense impression whenever it was sung at Revolutionary public occasions. Originally entitled “Chant de guerre de l’armée du Rhin” (“War Song of the Army of the Rhine”), the anthem came to be called “La Marseillaise” because of its popularity with volunteer army units from Marseille. “La Marseillaise” was Rouget de Lisle’s response to this call. Dietrich, the mayor of Strasbourg (where Rouget de Lisle was then quartered), expressed the need for a marching song for the French troops. La Marseillaise, French national anthem, composed in one night during the French Revolution (April 24, 1792) by Claude-Joseph Rouget de Lisle, a captain of the engineers and amateur musician.Īfter France declared war on Austria on April 20, 1792, P.F.
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